it looks cold doesnt it?
it was
that was taken 3 years ago on a very cold winter day
i confess i have not taken any new photos since i got back from dublin
i guess i need to get on it
in the window
it aways, in my opinion, pays to look up
this woman
was
in her window
above
the noise
of
in
temple bar
a
very new orleans
sort of area
of
dublin
more dogs of ireland
these pups and their people
were
spotted
along the walk
from
the greystones dart station into 'town'
odds and ends
i think i have almost run out of photos from my recent trip to dublin
one of the things aside from chimney pots i loved were the skies
99.99% of the time it looked as if it were about to not just rain but storm
here are some of my favorite looking up snaps
taken in greystones a short train ride up the irish coast
church of the holy rosary
the liffey at night
after dinner
at
terra madre
we walked
across
one of the bridges
that
span
the river liffey
glasnevin cemetery
one fine morning
while
i was in
dublin
we took a bus
(full disclosure this is from the bus ride back)
to
the very beautiful
that incredible tree looms above some monuments
birds circling overhead
birds nestled in trees
the cafe which is part of the museum
and a section that hasnt yet been restored
its an incredible place
i love cemeteries
they are peaceful and filled with interesting headstones
this particular cemetery
with its rich history
brought me to tears
remembering ...
by Leda Rodis (age 14 in 2001)
When the plane hit the building
rocked first
to the right
then
to the left,
and outside all the skyscrapers
of New York
seemed to tremble.
The alarms screamed louder
than we did, and I knew
it was time to get away. It's funny
what you notice:
a pen rolling across the floor
my screen saver flicker and go off
a picture of you
and me
at Coney Island.
So much to leave behind. And yet so little.
Running down the hall I remembered
my mother
taking me to the top
of the Empire
State Building when I was just
a little girl,
telling me that a plane
had crashed there a long
time ago. So I thought that maybe
that's
what happened. Just
an accident. And accidents
happen everyday.
Under the blown-out exit sign
a crowd
is screaming,
crying,
pounding
on the door.
I know:
There's
No
Way
Out.
You have to believe that I tried. I'm not the one
to give up.
Back at my desk, I rescue
the rolling pen,
stare
at the blank screen, and
hold
my picture
of you.
I look out
at the blue morning.
I expect
to see God there.
But what I really see is
another plane.
And I know what it means.
But I don't know why...
I always thought that life was full of choices.
It always has been.
What to wear
Where to eat
Who to love
(and you know who I chose).
Now my choices have been taken away from me.
The men in the planes have narrowed my choices
down
to
two:
Death by fire, or death by fall.
I see the smoke
rising
filling the room
It's hard to breathe
I look towards the open window.
What
would falling feel like?
I remember the roller coaster at Coney Island.
The wind tugging at my hair
How good it felt to scream.
The feeling in my stomach.
And how all the way down
I was with you.
When I originally posted this many asked who Leda Rodis was ...
ON SEPTEMBER 11, 2001, 14-year-old Leda Rodis was in her high school library in Vermont, researching a freshman English assignment, when the announcement came over the loudspeaker: airplanes had been flown into both towers of the World Trade Center in New York. Like people everywhere that day, Leda watched the unreal images on television as the mammoth structures burned, then collapsed, killing thousands. The image that stuck with Leda most was that of two very brave people jumping from the towers, holding hands. Rather than die in the fire the terrorists had created, they chose to jump. And they chose to do it together.
More than any other event in history, images from 9/11 are forever seared onto humanity’s collective consciousness. Every person has tried in some way to come to terms with that day. Leda decided to write a poem. “From the 104th Floor” flowed through her as if a voice had come up out of the rubble. Though it memorializes the events and feelings of that day, “From the 104th Floor” is in the end a love poem. An inspiration. Love is bigger than terror.
Leda’s mother shared the poem with a friend in Brooklyn, Serguei Bassine, a young filmmaker. The poem’s images dug so deeply into him that in the weeks following 9/11 he would stand up and recite it on his subway commute from Brooklyn into Manhattan. Each time he read he saw horror turn to grief and then to hope in the eyes of his rapt listeners. For a long time he wrestled with how to bring the poem’s images to film without violating the integrity of the poem, or the enormity of the experiences of the people who were lost. In the end he made a short film using black-and-white animation as a way of honoring both the writer’s vision and the courage of the people who perished.
Comments have been turned off ... thank you for visiting on this very solemn occasion.
When the plane hit the building
rocked first
to the right
then
to the left,
and outside all the skyscrapers
of New York
seemed to tremble.
The alarms screamed louder
than we did, and I knew
it was time to get away. It's funny
what you notice:
a pen rolling across the floor
my screen saver flicker and go off
a picture of you
and me
at Coney Island.
So much to leave behind. And yet so little.
Running down the hall I remembered
my mother
taking me to the top
of the Empire
State Building when I was just
a little girl,
telling me that a plane
had crashed there a long
time ago. So I thought that maybe
that's
what happened. Just
an accident. And accidents
happen everyday.
Under the blown-out exit sign
a crowd
is screaming,
crying,
pounding
on the door.
I know:
There's
No
Way
Out.
You have to believe that I tried. I'm not the one
to give up.
Back at my desk, I rescue
the rolling pen,
stare
at the blank screen, and
hold
my picture
of you.
I look out
at the blue morning.
I expect
to see God there.
But what I really see is
another plane.
And I know what it means.
But I don't know why...
I always thought that life was full of choices.
It always has been.
What to wear
Where to eat
Who to love
(and you know who I chose).
Now my choices have been taken away from me.
The men in the planes have narrowed my choices
down
to
two:
Death by fire, or death by fall.
I see the smoke
rising
filling the room
It's hard to breathe
I look towards the open window.
What
would falling feel like?
I remember the roller coaster at Coney Island.
The wind tugging at my hair
How good it felt to scream.
The feeling in my stomach.
And how all the way down
I was with you.
When I originally posted this many asked who Leda Rodis was ...
ON SEPTEMBER 11, 2001, 14-year-old Leda Rodis was in her high school library in Vermont, researching a freshman English assignment, when the announcement came over the loudspeaker: airplanes had been flown into both towers of the World Trade Center in New York. Like people everywhere that day, Leda watched the unreal images on television as the mammoth structures burned, then collapsed, killing thousands. The image that stuck with Leda most was that of two very brave people jumping from the towers, holding hands. Rather than die in the fire the terrorists had created, they chose to jump. And they chose to do it together.
More than any other event in history, images from 9/11 are forever seared onto humanity’s collective consciousness. Every person has tried in some way to come to terms with that day. Leda decided to write a poem. “From the 104th Floor” flowed through her as if a voice had come up out of the rubble. Though it memorializes the events and feelings of that day, “From the 104th Floor” is in the end a love poem. An inspiration. Love is bigger than terror.
Leda’s mother shared the poem with a friend in Brooklyn, Serguei Bassine, a young filmmaker. The poem’s images dug so deeply into him that in the weeks following 9/11 he would stand up and recite it on his subway commute from Brooklyn into Manhattan. Each time he read he saw horror turn to grief and then to hope in the eyes of his rapt listeners. For a long time he wrestled with how to bring the poem’s images to film without violating the integrity of the poem, or the enormity of the experiences of the people who were lost. In the end he made a short film using black-and-white animation as a way of honoring both the writer’s vision and the courage of the people who perished.
Comments have been turned off ... thank you for visiting on this very solemn occasion.
Subscribe to:
Posts (Atom)